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Expert Review :
Back to Oblivion marks the return of Finch with the band’s first full length album in over nine years. The Southern California band has undeniably created a lasting, formidable body of work with their two studio albums and EPs – singer Nate Barcalow acknowledges that 2002’s What It Is To Burn all but defined post-hardcore early in the decade , while 2005’s Say Hello to Sunshine continued to shape its direction. The band dignified the demand for a celebration of What It Is To Burn’s 10th anniversary by reforming after a hiatus and playing select sold-out shows across the country in 2013. Inspired by the creative surge brought on by these shows, Finch rendered these contradictions moot with Back to Oblivion, their long-awaited third LP and a new, bold chapter in the band’s legacy. Back to Oblivion itself is a paradoxical idea. This is Finch reinvigorated, brimming with the inspiration of their earliest days; the opposite of the negation implied by oblivion. But as a songwriting unit, they re challenging themselves by going deep into the unknown – this is by far Finch’s most introspective and demanding work from a lyrical standpoint. The album was produced by Brian Virtue (Deftones, 30 Seconds to Mars, Janes Addiction, Audio Slave).
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|Title||Back To Oblivion [VINYL]|